Sunday, 26 December 2010

Work 2010 - Breakthroughs and important works

It's been a while since I have updated this, but I figured I should update on what I've been up to art wise this year with a bit of blurb about each artwork I present.

Ok first up then is this untitled long format painting I did

Untitled

Untitled - Acrylic on canvas
This was a slight departure for me in terms of I wanted to mix things up a bit more and make something that had geometric elements but mixed up with some more expressive marks, instead of my usual quite expressive style. I'm pretty pleased with how it turned out, but I haven't explored this area much more over the year so this remains in terms of my 2010 work a bit of an anomaly. Still I may explore this idea of mixing up the geometric and expressive so that they become a single unity more in the coming year.

Gateway

Gateway - Acrylic on wood

This was a second of two paintings I did on some long pieces of MDF I was given, really enjoyed the process of creating it and I am very pleased with how it came out. There is some very nice mark making in the painting and I think the more subdued colour than usual is actually a plus. It's also certainly more abstract than some of my other work, although I think it hints at the landscape.

Twilight

Twilight - Marker Pen on Card - Framed

This is one of a series of drawings I have been producing recently with marker pens on card. Am very pleased with this and the other drawings I have done and I love the spontaneous process of creating it. Again Interestingly this work hints at landscape as does the previous painting, expect obviously in an abstracted surrealistic way.

Dark City

Dark City - Acrylic and marker pen on 30 inch by 3o inch canvas

This I think was perhaps one of the more ambitious and style shifting works I produced in 2010 as it is quiet markedly different from everything else in a lot of different ways. Firstly the pallete is reduced to a monochrome gray, black and dark blue, giving it a much more sombre feel than my usual colour. Secondly the composition is quite a departure in the sense that is much more obviously incorporating figurative elements such as the building to the right, but still with abstraction and distortion. It also looks quite graphical and I was quite consciously trying to incorporate a more graphical style for this work, influenced by street art. One of my favourite paintings of the year I think.

Cool Mechanics

Cool Mechanics - Acrylic on canvas

This painting I like mostly because I enjoy the composition of it , especially all the jumbled up craziness in the bottom left corner! Not much of a departure from my usual style I.E Black lines, solid areas of colour etc, but I think it's done well, so it doesn't matter.

Combust 01

Combust 01 - Acrylic on 30 inch by 30 inch canvas

This is quite recent and again I am returning to a darker pallete, but I like several elements of this painting. Firstly I love some of the painterly mark making of it, such as the scratch marks and dollops of paint applied with pallete knives and secondly I like the composition , especially the central shape which looks like some kind of creature. Very pleased with this painting and it was a joy to paint!


Sunday, 23 May 2010

Recent Work April - May 2010

Some Pictures of recent work starting from the most recent -

The Eyes of the Storm

The Eyes of the Storm

Untitled

Untitled

Overflowing
Overflowing FOR SALE - £245

Vivid Dream
Vivid Dream

Belly of the Beast
belly of the beast

Tuesday, 18 May 2010



These paintings form a series that I completed recently called 'The Flesh Distort' Series and I figured I’d write a little about the thought processes that went into their creation. I always find it interesting to hear artists wax lyrical about their work because it provides a bit of insight into their minds and intentions, and maybe you (yes you reading this!) can take something from this, or more likely I’ll have wasted several minutes of your life.... Ahh well onwards -

Basically as far as I can figure out from the skittering network of misfiring neurons in my noggin, I was pushing forward with the biomorthic abstraction that has marked some of my more recent work. I was trying to create images that are almost violent but dazzling at the same time.

I didn't prepare a sketch for the first painting in the series and it was in fact a happy accident (The result of experimentation after a failed painting) and then when that experiment turned out well I ran with it.

I tried to keep some of the symbols and other compositional elements universal in all three paintings to get the sense of a ‘series’. Thus there is

White circles with lines sprouting out (Almost like suns)
A red half circle line is included in every painting
Similar colours – The Yellow, Black, Fleshy tones etc

I guess to sum up they're kind of a dream landscape of half forms and distorted flesh ... Much as the title implies!

Tuesday, 16 March 2010

Open Studios / Craft Fair - Next Month (April)



Upcoming Event at Victoria Mill Art Centre , Congleton (Location of my studio)

Open studios and Craft Fair
April 18th 11.00 - 16.00

Open day to promote the new arts centre.
There will be an Art and Craft Fair, an Exhibition and some of the Studios will be open for you to see.

Browse jewellery, ceramics, textiles, fine art and much more at your leisure.

Facebook Event -
http://www.facebook.com/home.php?#!/event.php?eid=354134570765

(I won't be there for this particulur event as I'm away on holiday but some of my work should be on show)




Monday, 1 March 2010

Where do I go from here?

Painting is a strange beast , frustrating and rewarding in equal measure, for every joy you have at evolving and getting more satisfied with the work you produce there is an equal amount of despair at pictures gone wrong, and the dreaded effects that creative block produces.

I've been going though a strange period in my creative output recently, experiencing periods of elatation and confidence in my work mixed with certain periods of feeling burnt out and experiencing creative block. It is probably to do with the fact that I paint on such a regular basis now, it kind of saps the energy out of me at a certain point.

I feel my work is evolving , certainly in terms of composition, colour and complexity my work is getting better, but I do still knock into these walls of blockage and extreme self doubt as to the direction and the quality of my work. The self doubt part may be down to the fact that I paint in an abstract manner in most of my work, and that requires a kind of constant self-reinvention so that I don't repeat myself over and over again, and so that I can forge my own style.

That is my major concern at the minute, forging my own vision as opposed to something derivitive of other artists. Of course to a degree it will be derivitive, I should imagine it obvious to anyone with a knowledge of art history that I am taking inspiration from several sources - Kandinsky, Picasso, Pollock, Gorky etc etc , but the real challenge is to work though those influences, learn from them and create something new from a type of art some decree as already dead.

So where do I go from here?? God knows, but in a way thats how I like it.....

Newest painting - Triple Charged (Acrylic on 28 by 36 inch canvas)

Triple Charged - FOR SALE £245

Thursday, 25 February 2010

The first update in a lonnnnnggg time

SORRY!

Sorry I've neglected this blog so much and haven't posted anything for months , I've been relatively busy with various things so haven't had much of a chance. With that lame excuse out the way , onwards with the blog -

Studio
Just going to update generally , Major thing is I've now got a studio where I can paint!! In my home town in a mill building, settled in there now and I'm very happy with it, suits my needs to a tee. Nice space, nice amount of natural and artificial light and a place where I can escape from the world to create. Currently participating in a group show in the exhibition space there which is on till this Saturday.



Art wise I've been more prolific than ever painting more than I ever have previously. Pretty much at least two hours a day every day of the week!! It is good when I'm feeling it, but sometimes I can feel creatively drained so it's a double edged sword.

Anyhow here's a few pictures of my newer work (Most of which I'm pretty pleased with, I feel I'm evolving artistically a lot more now)
Advance - FOR SALE £350Ascent - FOR SALE £200Moon Dream - FOR SALE £180
Oh yeh and I have a website up now, check it - chrisgodberart